This art work captured by the Bath graduate Anna Glassbrook uses a futuristic approach to textile techniques capture a modernist twist on ribbons and cotton organza trough layering and a florescent colour scheme.
SCULPTURAL TEXTILE DESIGN "Inspired by nature, urban surroundings, architecture and the beauty of patterns in all things"
Monday, 19 November 2012
cathedrEL EXHIBITON
Textiles and Architecture Exhibition, looking in to how the innovation of colour, fabric and textile design is influencing our surrounding spaces. Ptolemy Mann's colour schemes are applied with such fine detail and finesse that the outcome is almost hypnotic. The panel expands to fill a whole pillar of the Gloucestershire cathedral, using the space to truly capturing the expanse and grandeur of it constriction.
This art work captured by the Bath graduate Anna Glassbrook uses a futuristic approach to textile techniques capture a modernist twist on ribbons and cotton organza trough layering and a florescent colour scheme.
This art work captured by the Bath graduate Anna Glassbrook uses a futuristic approach to textile techniques capture a modernist twist on ribbons and cotton organza trough layering and a florescent colour scheme.
INSPIRING IMAGES FROM MY SURROUNDINGS THIS WEEK- looking at the repetition in the industrial parts of a digger, reflecting the radiance of the sunset.
I always think when I look at the sunset with a pylon in the way.. is this adding or taking away from the image? the piece would have an element of purity if it was removed, the pylon gives structure, meaning mans need to create connection. interesting the tree in the refection. not present in the upper part, small and insignificant compared to the industrial structure.
Inspired by the mark making in this piece,
I always think when I look at the sunset with a pylon in the way.. is this adding or taking away from the image? the piece would have an element of purity if it was removed, the pylon gives structure, meaning mans need to create connection. interesting the tree in the refection. not present in the upper part, small and insignificant compared to the industrial structure.
Inspired by the mark making in this piece,
Sunday, 18 November 2012
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